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易優(yōu)作文網(wǎng)——2012考研英語作文預(yù)測:關(guān)于整容現(xiàn)象以及山寨現(xiàn)象的英語作文

2012考研英語作文預(yù)測:關(guān)于整容現(xiàn)象以及山寨現(xiàn)象的英語作文


易優(yōu)英語   2024-12-14

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蘇州小學(xué)語文培訓(xùn),蘇州中考語文培訓(xùn)
2012考研英語作文預(yù)測:關(guān)于整容現(xiàn)象以及山寨現(xiàn)象的英語作文

漫畫“把我整成**明星的樣子”——影射整容現(xiàn)象以及山寨現(xiàn)象
背景介紹:山寨現(xiàn)象。“山寨”一詞源于廣東話,是“小型、小規(guī)?!鄙踔劣悬c“地下工廠”的意思,其主要特點為仿造性、快速化、平民化。如今,網(wǎng)絡(luò)上各種各樣的東西都有山寨版,山寨版明星、山寨版“神七”,山寨版“鳥巢”,山寨版的《紅樓夢》甚至火過新版《紅樓夢》。
從2003年開始出現(xiàn)山寨手機到各種山寨產(chǎn)品,“山寨”一詞從經(jīng)濟行為逐漸演變?yōu)橐环N社會文化現(xiàn)象。如今“山寨相機”、“山寨電影”、“山寨明星”甚至“山寨版的春晚”等諸多帶有模仿性質(zhì)的“山寨現(xiàn)象”層出不窮,形成了獨有的“山寨文化”。

KEYWORDS: “Shanzhai” or “copycat”(山寨)

蘇州易優(yōu)中考語文培訓(xùn),吳老師語文課(Tel:181-1815-9898)


MODEL ESSAY:
As is indicated in the illustration given above, one well-known historical notability named Li Kui is being astonished by his another-self, who is standing in the opposite side, with a disgraceful note in his hand announcing “giving you the parallel experience as the original edition could pay”. So, paid for what? Definitely, he would be paid for his special reputation as a so-called “Copycat Big Star” or “Shanzhai Superstar” which is rampant in today’s China.
The trend of the variety of human culture is unchangeable even without the action delivered by human beings ascribing to the various individualities themselves, so is this round of culture revolution. The novelties emanating from the “Copycat Culture”—“Shanzhai Movie”, “Shanzhai Camera” and even “Shanzhai Celebration of Spring Festival” have brought a lot of entertainment to the public to some extent, but what we should never be blind to is their negative influence if they go to extremes hypothetically. Just as the exemplification demonstrated in the cartoon goes, “Shanzhai Star” is taking advantage of the fame or profitable value generating from the true superstar, sometimes this kind of behavior is a typical infringement to the intellectual property indeed, which we can never fail to recognize from TV programs or newspapers always. 小學(xué)生語文培訓(xùn),蘇州易優(yōu)閱讀寫作同步提升</a>
Then, the question goes to another orientation, that is, whether or not should we admit the existence of “Copycat Culture” or to what extent could we make efforts to protect the rights of original authority? It goes with no denying that the engine of the development of a country is subject to the nation’s creative power, which needs the much strongest protection from no matter government or civilian to fight with any behavior ravaging this kind of ecological balance. Fortunately, the first good news has been coming in —“a unique 15-digit code, the International Mobile Equipment Identity (IMEI), is being applied to China’s more than 200 types of registered mobile phones. The effort will combat “Shanzhai” mobile phones, or copycat phones, the Ministry of Industry and Information Technology said recently. ”
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